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Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. | Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. |
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Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. | Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. |
Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. | Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. |
Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. | Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. |
Work done in Sucre, Bolivia for PASCAR, Catholic Welfare organisation in the Chuigiasacra mountains. The NGO works promotes agriculture and education amongst the rural population. | Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Here Jan Ogies helps to pull in an illegal catch in Paternoster. Jan Ogies left school in grade 4 to learn how to fish from his father. The series was the solo-finalist in the Mondi newspaper awards. |
Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Here a woman returns home with a fish she got given in Elandsbay. | Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. A fisherman sit at home in Velddrift as he didn't receive a quota. |
Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Here two girls play on a boat that is no longer going out to see. | Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Jan Swanepoel is not allowed to fish in the river where he lives in a boat in Veldrift. |
Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Waiting for the boats to come in Paternoster. | Photo-Essay on the survival of subsistence fishermen on the West Coast, after the government implemented severe fishing quotas. 2004. Here community members helps to bring in an illegal catch. |
The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace whilst looking at the boundaries between the community and forces. | The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. |
The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. | The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. |
The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. | The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. |
The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. | The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. |
The UN Peacekeeping force in Burundi. The photo-essay plays with the contradiction of force and peace. |
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